Film Insurance & Financing in India
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THE SOLUTIONSIn December 2000, a Joint
Institutional Committee on Financing Entertainment Industry submitted an
interim report that laid down certain norms for offering financial
assistance to the film industry. The committee headed by the Department of
Banking-Ministry of Finance, had Industrial Finance Corporation of India (IFCI)
and Industrial Development Bank of India (IDBI)[4] as its members. The
committee's recommendations included:
• Institutions should extend finances only to corporate entities.
• Besides negatives, music rights, satellite TV rights and overseas rights
must also be considered as security.
• Insurance companies must extend insurance cover for films and develop more
products for the industry.
• When financing a single film, the duration of advance may be restricted to
between 6 and 18 months.
• Banks and FIs should work together with producers to evolve standards for
financing and insuring films.
• Creating a film industry-rating agency by pooling people from banks/FIs,
eminent filmmakers and experts in the media sector to judge a filmmaker's
credentials.
The increased transparency as a result of film production companies adopting
corporate practices was expected to enable the banks/FIs/insurers to deal
with the film industry like any other industry. The changed setup was also
expected to result in better films being produced with significant
improvement in the overall industry performance levels. Besides helping the
film industry in breaking away from the underworld, corporatisation of the
film industry was expected to result in multiple benefits for the government
as well. Film software was expected to become a $ 1 billion industry by
2005, employing around 10 million people. Further, ancillary industries like
dubbing, editing, sound recording, web designing, web-casting, merchandising
and promotion were expected to flourish as well.
The government was reported to be working towards developing a comprehensive
legal structure for insuring all kinds of movies along with institutes like
National Film Development Corporation (NFDC)[5] and Film & Television Institute
of India (FTII)[6]. This was expected to go a long way in opening up the film
finance sector. With transparent accounting practices and assured adherence
to targets and time-schedules, a buoyant and flourishing film insurance
industry in the country seemed all set to become a reality.
QUESTIONS FOR DISCUSSION:
1. The US film industry had begun insuring films in the era of silent movies
itself. Why do you think the Indian film industry waited till the 1990s to
adopt this practice?
2. Do you think the highly unorganized film industry would be able to
transform itself to a corporate setup? What steps need to be taken by the
industry as well as the government to ensure that the film insurance
business becomes a success in India?
ADDITIONAL READINGS & REFERENCES
1. Chatterjee Dev & Deosthalee
Deepa, Foreign insurance cos won't dance to Subhash Ghai's Taal, Indian
Express, December 30, 1998.
2. Shyamal, Aishwarya's Fall costs 35 Lakhs, www.chalocinema.com, June 2000.
3. Jha Neeraj, The FE think-tank: Entertainment industry, Financial Express,
August 27, 2000.
4. Gopalan Krishna, Ghai insures Yaadein for Rs 14 crore, Financial Express,
November 27, 2000.
5. Real life, reel woes, Business World, January 15, 2001.
6. Sampat Jay, Insurance ke Liye Kuch Bhi Kareega, www.indiainfoline.com,
June 18, 2001.
7. Insurance companies swing to a new Taal, Business Line, July 10, 2001.
8. Ramnani Vandana, The Beat of Passion - Film Insurance First in India,
Business Standard.
9. Sampat Jay, A Script for Yashwant Sinha, www.indiainfoline.com.
10. www.indiainfoline.com
[4] IDBI and IFCI are
development finance institutions.
[5] The National Film Development Corporation Limited (NFDC) is involved in
the production and export of Indian films, import of foreign films, import
and distribution of raw stock, construction of cinema theatres and
development of technology.
[6] The Film & Television Institute of India is one of Asia's premier film
schools, offering courses in editing, motion picture photography,
audiography, production management, and art direction.
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