Cartoon Network - The Indian Experience
CARTOON CRAZY KIDS (AND PARENTS)
BACKGROUND NOTE
CARTOON NETWORK IN INDIA
ALL'S NOT WELL IN TOONLAND
QUESTIONS FOR DISCUSSION1. “The Indian TV
audience is largely ‘movie-sports-news'centric.” In light of this
statement, critically comment on Cartoon Network's decision to enter the
Indian market. Also discuss the initiatives that helped it become a leader
in the children's TV entertainment segment.
2. Do you think Cartoon Network's localization of content destroyed the
entertainment value of the original, classic cartoons? As part of a team
responsible for the channel's functioning in India, what other measures
would you suggest to popularize its programs?
3. Would you agree that TV channels such as Cartoon Network are nothing but
ploys to commercially exploit the ‘pester power'of children? Give reasons
to justify your stand. How do you think the channel should deal with the
criticism it has received in recent years? EXHIBIT I ABOUT ANIMATED CARTOONS
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Animation is a graphic representation of drawings to show movement within
those drawings. A series of drawings are linked together to be photographed
by a camera. The drawings are slightly changed between one individualized
frame to the other so that when they are played back in rapid succession (24
frames per second) there appears to be seamless movement within the
drawings. Animated cartoons are made using paper, celluloid, cardboard,
pens, paints, brushes and erasers. Pictures of the characters are first
drawn on paper. Every second of a finished film consists of 24 frames that
requires 12 to 24 drawings to be drawn, based on the speed of movement, i.e.
faster movements need more drawings while slower movements can be animated
with less number of drawings. The difference between two successive frames
is very negligible with just a slight variation in the posture. The animated
drawings are filmed on a black and white film to check the smoothness of the
movements. This is called a pencil test.
The backgrounds of animation film
are painted on cardboard or celluloid with tempera, acrylic or oil paints.
These painted backgrounds are projected as the landscapes in which the
characters are moving. Backgrounds are usually made considerably larger than
the picture format, and are referred to as ‘Pan backgrounds.'The drawings are copied onto transparent celluloid or plastic sheets,
usually called ‘Cels,'so that the animated characters can be superimposed
on the backgrounds. The lines are traced in ink and the colors are filled in
on the reverse side of the ‘Cels'to get even colors, when viewed from the
front. The filming is carried out on an ‘animation stand.'Sometimes the
pictures are divided into various levels, separated by about 30cm or 12”. As
the fore, middle and backgrounds of the landscape are at varying levels, it
creates a 3-dimensional effect, specifically when the camera or background
is moving.
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Source: www.sci.fi/~animato/cartoon/cartoon
EXHIBIT II A NOTE ON THE INDIAN TV MARKET
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Till the early 1990s, the Indian TV market had only one player, the
state-owned Doordarshan, which offered various free-to-air channels across
the country. Criticized for it's lackluster and politically influenced
programming mix, Doordarshan flourished as regulatory guidelines prohibited
the entry of private players. However, during the early 1990s Gulf war,
Indian audiences got their first experience of quality programming with
channels such as CNN being illegally aired. Things changed when the
government allowed satellite channels to broadcast their programs. The
Indian TV market was radically transformed as a plethora of channels entered
the country. Beginning with Zee and Star networks, by 2002, there were
around 200 channels in the country. Of the 70 million households and 400
million viewers, the C&S homes were only 24 million with 150 million
viewers.
Indian TV channels offered programs falling in one or more of the following
genres – film-based shows, serials, sports, music, game shows and news. This
pattern was visible in almost all the regional language, Hindi, and English
channels. There were a host of niche channels that offered programs based on
religion, business, action, nature, and children's entertainment. General
entertainment channels accounted for a majority of the viewership, and hence
the highest advertising revenues. Despite the presence of a wide variety of
channels, the Indian TV market remains a largely film-based one as it
happens to be the most popular genre in the country. Competition was very
intense in the industry and the fight for advertisement revenues and
Television Rating Points (TRPs) was cut throat. Late 1990s onwards, a
majority of the channels were opting to become pay channels from the
free-to-air mode.
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Source: ICMR
EXHIBIT III : CARTOON NETWORK'S FAMOUS CARTOONS
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